Golden Heart Finalist

We haven't been updating regularly, but this news is too exciting to forget to share. THE SOLDIER, my paranormal Viking warrior romance, is a 2011 Golden Heart [tm] finalist in the paranormal category. I've had a wild ride buying makeup (I truly had nothing but a couple lipsticks and ten-year old mascara in the drawer), getting a PR photo, and working on my first website. So, introducing the made-up, airbrushed, dressed-up me:

You can read an excerpt from THE SOLDIER at the first version of my website, annarichland.com. Pretty soon it will have a cool customized background showing a bunch of my heroine Theresa's desk junk. I'm also active on Facebook as Anna Richland - please join me there for more frequent updates and lots of pictures.

Winners of the Golden Heart will be announced Friday night, July 1, 2011 at Romance Writers of America's national conference in New York City. I'm looking forward to sharing the excitement with Mr. Richland. I don't think he can imagine what a ballroom filled with almost 3,000 romance writers is like. Even Stars on Ice had more men in the audience. Win or not, being a finalist has certainly bumped me up to the next level of career excitement (not to mention forced me to revise the middle of my manuscript!).

Slow, But Not Stopped

We haven't been posting regularly.

I'm sure you've noticed.

Why the change in speed? Well, the four of us are each at different points in our respective writing careers. Some of us need more time to promote specific projects. Some of us need more time to finish our projects. All of us are wondering how this blog fits with our overall career plans.

We aren't ready to give up on Damned Scribbling Women yet. We are not, however, sure how we wish to move forward. We're taking the first part of 2011 to reflect on the future of this blog. How can we find a healthy balance between writing and publicity? How can we generate more traffic on this blog? Or should we disband and pursue individual promotional projects?

When we know more, dear readers, so will you.

In the mean time, you can expect to see the occasional random post. And if you have any thoughts to share, please do so.

Happy New Year, and take care!

A List for Last Year

Farewell 2010 - a very fine year, even though I passed through another decade. Here's a short list, no particular order, of some favorites from last year:

Favorite "Vintage" Romance I Read for the First Time: Harvard's Education by Suzanne Brockmann (originally 1998 but reissued in a two-novel collection this year).

Memorable Spam Offer: Encourage Your Winky.

Fave Romantic Suspense: Body Heat by Brenda Novak.

2010 Winter Olympic Event I loved more than expected: Curling!

Fave Cake from Mr. Richland: the Lego Articulated Bus.

Don't-Miss-Regencies of 2010: Soldier's Lady by Susanna Fraser (Carina Press) and In For a Penny by Rose Lerner.

Best concert with children: Great Big Sea at Woodland Park Zoo. Try a little Canadian Celtic rock with Excursion Around the Bay. You'll want to hoist a fizzing drink and jump around, remembering sticky floors you stomped sometime in the '80s (me) or '90s (Kate). Concert without children: Pink Martini at Chateau St. Michelle. Try Dosvedanya Mio Bombino from Hey Eugene! or the two-song piece from Splendor in the Grass. Her version of the breakup is And Then You're Gone. He sings But Now I'm Back. There's a romance novel in six and a half minutes. And I have no idea how to add song links to Blogger so find them yourself.

Most extreme contrast between my real life and my writing life: the "Dirty Laundry" miniseries at Carina Press. Plenty of that in my basement except ... well, you don't have to be over 18 to tackle my pile of socks and towels.

Share your favorites from 2010 or comment on mine. Here's hoping more great books, music and cake come our ways in 2011. (Um, and an agent and book deal too, please).

Oldies but Goodies

Last night, my ears were assaulted by an abomination: an a cappella version of "White Christmas" in four-part harmony.

Don't get me wrong. It was a perfectly lovely rendition of the song and I'm sure the band worked hard to make it so. Then why, do you ask, was it an abomination? Because it wasn't the Bing Crosby version, of course!

I believe that certain things have been done so well that they should never be redone. For me, Bing's version of "White Christmas" is one of them. It should be put on the "do not touch list" and enjoyed in its original glory forever.

Oh, sure. I'm all about innovation and re-imagining. I know that there are only 13 plots (or something like that) out there in the world. You could argue that anything I do as a writer has been done before. You'd probably be right.

However, there are lines. And artists of any kind--be they musicians, actors, writers, what have you--should not cross those lines. Some lines are personal. Some lines have been drawn in the collective sand. This is why the movie-loving world cringed as one over rumors that Ben Affleck and J-Lo were going to remake Casablanca.

Again, lovely people... but you shouldn't mess with a classic.

We are all influenced by what we love. We find ways to bring elements of our favorites into the fresh worlds we create. I know exactly why I want to write a longtime-friends-to-lovers romance. It has everything to do with the favorite books of my childhood.

But writing a story about friends falling in love is totally different than writing about a redheaded Canadian orphan falling for her best guy pal. If I ever cross that line, I'll have gone to the dark side. And I'll probably be sued.

Let's face it: Anne and Gilbert, like so many things, have already been done to perfection.

So: how do you re-imagine favorite stories or songs without crossing the line? What movie, song, book, or TV show is on your "do not touch" list? (And if anyone wants to turn this into a rant about remaking Buffy the Vampire Slayer without Joss Whedon, do feel free.)

Grinchitude

Do you have a favorite holiday movie? Me, I'm a sucker for the cartoon version of How the Grinch Stole Christmas and A Christmas Carol (any version, but my Scrooge of choice is Michael Caine in The Muppet Christmas Carol). I love all holiday movies, but for some reason those stories are the most irresistible to me.

Maybe it's the fact that they take place on Christmas Eve - a time I've always associated with magic ever since I realized Santa was going to need some mad space-time-continuum-bending-skills to complete his route. Maybe it's the songs (Kermie's Only One More Sleep Til Christmas is my personal anthem). But I think the main reason is the idea of love redeeming even the most curmudgeonly on Christmas.

I'm one of those people who doesn't view villains as "evil". That is one of my pet peeves in reading a villain's POV - I think it's very hard to do it right because in my opinion No one thinks of himself as evil. And if you aren't "evil" then you aren't beyond redemption. And I love that little flicker of hope. You may have been hardened by life and the poor choices you made. You may have realigned your moral compass so "merciless" becomes a mercy in itself (deprivation of coal is teaching Cratchett toughness, you know). You may have built up walls to protect yourself from the very love you want so badly, but it's never too late.

I love that message.


When Carina press contacted me and asked me to write a paranormal Christmas story, I knew I wanted to play with the idea of going through hell to learn to open your heart. It was an homage to my favorite Christmas awakening stories. But No Angel didn't end up having three spirits or Cindy Lou Who. It has angels, demons, Hollywood celebs, and Lucifer himself - but most importantly to me, it has a character who, though she loves Christmas and never thinks of herself as Grinchy, needs to learn to let herself love and be loved. And if a Christmas Eve trip to the Underworld can't convince her, nothing will.

What's your favorite Christmas/Holiday story? Do you have certain ones that you watch or read every year as part of your holiday traditions?

Excuses, Excuses

I know, I know. There's been a shocking lack of new posts around here. If you must know, I got distracted by my day job (something you've never heard here before...) The bad news is that I had an epic load of grading, remnants of which are still haunting my desk area. That's right. Nothing says "fun" like a stack of Animal Farm journals still waiting for my attention...

The good news? (Yes, there's a "good news" reason I've been remiss on this blog.) I passed National Boards!

Now, for those of you not in the teaching world, this is a rigorous process that involves a year or more of endless navel-gazing. We tape ourselves teaching, we watch the videos ad nauseam, we send our reflections out for other teachers to evaluate, and we take tests in our subject area. During this time, candidates are hard to live with. We're also not the world's best teachers.

Go figure.

There's all kinds of hooplah around What This Means. But let's set aside the official scoop and take a trip in Kate Land, shall we? Passing my Boards means that I have a valid certificate for the next ten years. I have a decade off from certification hoop-jumping! Hurray! Perhaps that will give me more time to write... assuming, of course, that I can force myself to stop celebrating and hunker back down with my manuscript.

So. There are some of my excuses for (a) not blogging and (b) not working on my novel.

What are some of your favorite excuses for slacking off on your writing and PR?

First Round with my New Mentor

This is my first blog week since I had the awesome huge news that THE SOLDIER won romantic suspense writer Brenda Novak's mentoring contest. She's published forty novels - many, many bestsellers - and she's going to read mine, three chapters at a time, and guide me through the fixes. Last night Miss Bossy Boots and I read stories with fairy godmother-equivalents from Germany, China, and Russia. It seems like I've found a real one from Sacramento.

I've had one wonderful phone call already and received Brenda's initial feedback to incorporate into my Golden Heart entry. For lots of people Thanksgiving means turkey, cranberry and relatives. For unpublished romance writers, it also means hurry and mail that entry to Texas. Run to Kinko's, check the collating of each packet, put on those clippies, count everything one more time, and then hit the FedEx desk.

Brenda suggested including more internal thought, especially from my hero, which is extremely hard for me. I'm not a very introspective person in my own life, so pulling thoughts out of the deep hearts of my characters is a big reach. Also, she hopes for a stronger sense of place because I've nailed the Army stuff but I should pump up the Afghanistan setting. On rereading my pages, I completely agree. Fifty pages with one reference to heat, two to mountains, and one to dust. Realistically dust should be on every page. Dust should fall out of the manuscript into readers' laps, Afghanistan as a 4-D Imax movie. But I'll look for a happy medium with respect to sand and dust. Third, Brenda suggested I be more specific about the passage of time between or during scenes. Right again. The challenge for me is to add specificity without constantly writing "Three hours later" or "The next day." When I have a challenge like that, I randomly pull a bunch of books off the shelf and look at chapter and scene transitions and try to learn from the greats.

I can do this. I am doing this, last night and tonight as soon as I finish this blog. (Legal stuff: Photo of Marines in Afghanistan by Lance Cpl Brian D. Jones. See more great photos at this Flickr photostream.) Side note: It is snowing in Seattle! Right now, out my window. Talk about distraction!

Let It Ride

Do you like to gamble? Do you live your life from one Vegas vacation to the next? I confess, I’m not much of a gambler. I know how to play all the games, I know the odds (I’m a math nerd, it’s in my DNA), but when it comes time to throw your money on the table and let it ride… I just don’t. It’s not that I’m afraid to. It’s just that I like being in control. I like taking risks in ways where the resulting success or failure depends on my skill or, more often, on my skill and luck.

Pinochle, hearts, poker – those are my kinds of games. But those are all the games where you are pitting your skill (and luck) against someone else’s rather than against The Fates.

I feel like the appeal of craps and roulette and those games which depend entirely on the roll of dice or the plunking of a little ball is in throwing yourself into the hands of the Universe and letting it do what it will with you. I haven’t ever done that, but maybe I’m missing out.

(Is anyone else humming Luck Be a Lady to yourself right now or is that just me?)

In my new release, The Naked Detective, my heroine Ciara has been cautious for years, never taking a chance. Then she takes one and it works out for her so… well, she throws herself into the hands of the Universe and lets it ride. Ciara becomes an instant gambling junky, high on the thrill of her first win. And when she keeps on winning…. Oh yeah, we know how dangerous that is. She spins right out of control, but is that so terrible when the last thing you want is caution?

It’s an adventure to give up control of your life, throw yourself into the hands of Fate and let go – and if you aren’t feeling quite that daring yourself, you can live vicariously through Ciara. ;)

Are you a risk taker? Does gambling make your heart race or your stomach drop? What’s your favorite way to throw caution to the wind?

Finally... a Series!

This just in, from Julia Quinn's website:

The Smythe-Smith girls finally get their heroes.

Look for Book #1 in the Smythe-Smith Quartet
early summer 2011.

Is anyone else RIDICULOUSLY thrilled by this news? I still remember mowing through the Bridgerton series one rainy weekend in college. My gal pal and I were reading different books in the series, but we kept laughing in tandem over the Smith-Smythe musicales. Always something to look forward to, those musicales...

One can only hope that Lady Danbury makes a triumphant return in the quartet. LOVE that sassy old dame!

Facing Our Fears

Happy Halloween, readers!

'Tis the season for carving pumpkins, eating massive amounts of candy, an scary each other silly. In keeping with this particular holiday spirit, I thought I'd write a little bit about my fears.

Does anyone else experience any crippling, soul-crushing fears about their writing? I'm sure the answer is "yes." After all, we are creative people. We have vivid imaginations. And this is a good thing... usually. But when it comes to our innermost fears? Not so much.

I've recently come to the conclusion that I'm not afraid of failure with my writing. Nope. I'm afraid of success. It might sound weird, but I know I'm not alone in this. I'm afraid that if I finish one book, I'll never have another good idea. I'm afraid that it will get published... but that no one will buy it. I'm afraid that I'll blow a book contract because I can't discipline myself to write on a schedule. I'm afraid that writing will become my full-time job... and then I won't love it anymore. I'm afraid that I'll spend my writing time missing teaching. I'm afraid that I won't have health insurance anymore. I'm afraid that my income will lessen. I'm afraid that I'll be a mid-lister forever. I'm afraid that I won't be very good at being a novelist. I'm afraid that I'll become a New York Times bestseller, but then I'll try to take my career in another direction and my fans will hate me. I'm afraid I'll be sued by ex-boyfriends and ex-bosses I put in to books. I'm afraid that I'll never be able to get what's in my head out onto the page (it never quite translates, does it?) I'm afraid that my books will never be made into movies. I'm afraid Hollywood will make terrible movie versions of my books. I'm afraid that I've been inadvertently cruel and/or unprofessional, and hideous stories about my evildoing will come to light as soon as I'm published.

Weird and stupid, I know (because, really, I should be so lucky). But there it is.

Does anyone else have extreme writing fears? What are they? How do you get over them and/or push through them?

Islands of Possibility

Inspiration can come when you least expect it. I’m traveling at the moment, and whenever I tell people what I do for a living, they always want to know if I’m on a research trip. I say no, but the truth is that when you’re a writer every trip is a research trip… even a trip to the grocery store.

I didn’t come to Fiji with the intention of setting a book there or learning about the culture so I could integrate some Fijian characteristics into my next hero. (Though the fire dancers? Definite hero material!) But I wasn’t here long before story ideas began popping into my head. How can they not when I’m surrounded by natural beauty and over a hundred uninhabited islands right on the border between civilization and the primal?

No, I didn’t come here for research or inspiration, but how can you help being inspired by the unwritten potential on those islands?

It’s better than a writing prompt. Anything could have happened on those islands. Anything could happen yet. A murder mystery? A secret paranormal society? Gilligan’s Island the Sequel? Which direction would you go if you were spinning stories about those islands of possibility?

(For more on my travels, you can visit my blog at http://viviandrews.blogspot.com)

Where Have I Been?

Kate's been remarkably restrained and didn't hassle me about skipping my blogging week. Thank you! Where have I been since I last showed up here? I'm at the podium, moderating the Editor & Agent Panel at the Emerald City Writers' Conference.
Check out Barbara Vey's blog Beyond Her Book at Publisher's Weekly (you have to go back to October 2d through 5th to see both photos in their original context). She visited the our conference and gave our Sunday keynote - an amazing story about how romance novels transformed her from an agoraphobic, depressed shut-in to the globe-trotting reporter she is today.


Most of the 250 conference attendees are aspiring (me), or published (Amanda Forester and Susanna Fraser) or best-selling (Cherry Adair and Brenda Novak) writers. We read a lot, but most of us write more. Since I started writing seriously, I've read less and read differently. More targeted, more analytical. I can't silence my inner editor or my awareness of "the industry" as I read. Barbara captured the difference at one point in her speech. As a reader, she heard someone was from PW and nodded uh-huh, and kept talking. And writers and agents stared open-mouthed ... Publisher's Weekly ... Writers think differently from readers.

Barbara Vey is a reader who devours romance, and who isn't embarrassed or ashamed to say it, say it loud, and say it to anyone who will listen. I needed to hear her. She made me spend a week reading whole-heartedly again like I used to. It felt great! Thank you, Barbara Vey! (Here I am with the rest of the ECWC Committee - in the green sweater, front row. )

Daring... and Winning?

Recently, I've been rereading Bob Mayer's absolutely fabulous book, Who Dares Wins: The Green Beret Way to Conquer Fear and Succeed. If you don't already own this book, do yourself a favor and get your hands on a copy!

Right now, I'm focusing on the goal section of Mayer's book. It gives the common sense (but newsflash for me) advice that we have to set up our goals in conjunction with one another. If you're not looking at the total picture, you may create conflicts. In short, you're setting yourself up to fail.

So... my efforts to work my day job 60 hours a week, write 5 pages a day, exercise regularly, feed my husband gourmet meals each night, and engage fully with my family and friends on a regular basis?

Yeah, not so much.

I've been sabotaging myself. I knowingly overload myself and then wallow in the guilt when I can't accomplish everything. It's no good. I need to change! I want to be able to enjoy my life... savoring moments, not hanging on by one stray fingernail! I also want to put my dreams (including writing) first, instead of saving them for a later that never comes. (Why is it we spend so much of our time on "have tos" instead of "want tos"?)

I'm looking forward to setting more reasonable goals, via Mayer's methods. I'll be sharing those in a later post (or perhaps in the comments section of this one).

But if you have something that works for you, or you'd like to share your own goal/to-do list, please don't hesitate to share! I'd love to have some company on the road to a more balanced life.

Third Times the What?

Revision is a necessary skill for any writer. Sometimes, no matter how carefully we plot and plan, the character dynamics just don't work out the way we planned them. It can be hard to know when you're going off the rails in the middle of a first draft, but if you're lucky, you can spot the trouble areas and fix them before you get all the way to The End.

Last week Serengeti Lightning, the third novella of my lion shapeshifter series, came out. Three is really the number of this book. I actually started writing it three different times before I finally hit on the right heroine to match the youngest Minor brother.

I knew from the start that I wanted her to be older than her heroic counterpart, but in her first iteration Mara was a tough, independent outsider introduced to the pride for the first time. She wore leather and rode a motorcycle. She would eat a sensitive (albeit muscle-bound and manly) guy like Michael Minor for lunch. In a short novella, I didn't have the pages to bring her into the world and crack the shell she'd constructed around herself. But the kiss of death was that even though I had invented her expressly for Michael, I just couldn't see them together.

Then came Mara 2.0. She was already a pride member, and while still older, she was a softer, gentler woman. This heroine was defined by longing. She wanted intensely to be loved, to have a family, to find the One. But when I tried to draw her into a relationship with Michael, I realized I couldn't figure out how I could get Mara to consider dating a guy she wouldn't take seriously as mate material. It had to begin as a fling, but in only 23,000 words, did I have the space to start a fling, have it grow into love, and then deal with the emotional fall-out of reconciling that love with the longing?

Enter Mara Ver3.0 (the keeper!). Already in the midst of a no-strings fling with Michael, Mara believes he isn't the settling down kind and decides to break it off with him in order to go after the life she really wants (with the picket fence and two point two kids). But Michael won't give her up so easily. This Mara is the pragmatic one of the relationship. The goal setter. The organized thinker. These traits contrast Michael as the emotional core of their twosome - and provide plenty of conflict. And in the end, they balanced one another perfectly, providing a match we can believe is going to go the distance.

I'm very happy with the way this pairing turned out, but it was definitely a longer road than I had anticipated to find Michael his perfect mate.

Have you ever changed a hero or heroine mid-stream to adjust the plot or relationship dynamics? Do you ever think a hero or heroine in a book you are reading would really be better matched with someone other than their author-designated significant other?

Alpha Hound Dog: the Puckster

It is not surprising that I love Glee. And I am about to share that love, along with a whole boatload of season one spoilers.

As a teenager, I was a theater nerd. Now, I'm a high school teacher. Show tunes and sarcasm? Yes, please! I was hooked from Glee's very first moment, which featured Jane Lynch screaming belligerently into a bullhorn. I felt as if the show had been written just for me.

Yet much as I love Glee, I'm a little surprised by how hard I've fallen for Puck.

Don't get me wrong. I hated guys like him in high school and, frankly, they're still a challenge to have in class. Puck is an extreme Alpha male, flaunting his muscles and Mohawk. A bully and a jock, he throws kids in the Dumpster. He goes through girls and women like Kleenex. He expects the world to fall in line for him--and frankly, it often does. That's so frustrating! He doesn't earn his success: he manipulates or intimidates his way into it. None of these things are qualities I admire. Puck doesn't exactly scream "hero material." Frankly, he's a pig.

So why do I adore him on TV?

Because he's an entertaining pig.

I officially fell in love during the football episode, when Puck trash-talked a kid across the scrimmage line: "I slept with your mom. No really. I cleaned your pool, and then we had sex in your bed. Nice Star Wars sheets."

And therein lies Puck's greatness: he's both blunt and confident, in a way that I've never been. He doesn't think five steps ahead (will this kid try to beat me up after the game?) He says what he thinks and he does what he wants. I find that both totally alien and incredibly riveting.

Yes, Puck is consistently and unabashedly awful. But this is what makes his glimmers of vulnerability so poignant. For instance: he impregnated his best friend's girl--and yet somehow I ended up feeling bad for him. After all, the girl tells Puck to his face that he's a loser who'll never get out of town, and rejects all his offers of help. (And yes, he then goes back to man-whoring.)

He's very selfish in his love/sex life, but as a friend he's loyal. His bark might be bad, and he might mock the other Glee club members, but he bites the outsiders who threaten to hurt them. I like that, and I like Puck. There's no way in hell I'd ever want to date someone like him, but I sure love watching him on TV!

So... what's the take-away message for romance writers? Yes, there is some relevance to this post. It wasn't just a fan rant. Puck is my introductory lesson in Alpha hero boundaries and opportunities. (I tend to write beta.) Perhaps we readers/viewers can forgive a lot of belligerence so long as...

(1) The Alpha character is entertaining
(2) his actions are sometimes admirable
(3) his choices create fascinating conflict (see 1)
(4) Readers/viewers understand his motivation
(5) We occasionally see vulnerability and/or sensitivity
(6) He's smokin' hot (shallow but true...)

Hurray! I've now justified this long look at TV.

Any other Glee fans out there? I'd love to hear about your favorite characters, episodes, lines... or, even better, any writing lessons learned from this delightful show! Any thoughts you have on Alpha heroes would also be much appreciated.

Good Things and eBooks

Here's a great thing I discovered today: TUL pens. Try one.

Here's another awesome thing: My fellow Greater Seattle RWA writer, Susanna Fraser, released her debut historical through Carina Press last week. The Sergeant's Lady is a twist on the usual Napoleonic-era lovers: a common-born sergeant and a high-born lady. No secret dukes or heirs switched at birth. (Please check out the website Mr. Fraser built for his wife. Exceedingly not-cheesey). Carina Press gives novels like this, novels that break genre conventions, a chance to find readers. Hey ... I know a writer in Seattle with a palindromic first name who has a time-travel Western romance. Hmm...

Several blog readers have never read an ebook. (Hello, Mom). If you want to try a novel from Carina - whether it's The Sergeant's Lady or Talk Dirty to Me (do I have to explain that plot?) - you DO NOT need a Kindle or any of those other readers. I read on my laptop. It's not as fancy or as lightweight, but a computer totally works for ebooks. No one tells you that, do they? If you have a recent copy of Adobe software, you can install "Digital Bookshelf" in seconds, free, from Carina, Samhain (where Vivi publishes ), or most public library ebook catalogs. Yes, public libraries are in the free ebook business. In Seattle you can check out (download) up to twenty ebooks at a time for twenty-one days before they expire. For free. This is amazing for romance readers because our paperbacks are rarely cataloged and the bindings self-destruct after only a few borrowers, but digital copies circulate forever.

And a third good thing: Pink Martini plays at Chateau St. Michelle tonight, 7 pm. Mr. Richland advised me to take a slicker but I'm totally ready to sing Dosvedanya, Mio Bombino in the rain.

Mommy, Where Do Ideas Come From?

Recently, I was asked that question all writers just love to hear above all others. Where do you get your ideas? (Yep, that was sarcasm.) And I gave my usual explanation - that ideas come from everything I see and smell and taste and touch. That I am surrounded by ideas and it is just a question of wanting to hear them.

I like to remind people of the opening scenes of Shakespeare in Love when I have this conversation. Young Will is roaming the streets of London, picking up little snippets of dialogue from everyone around him - the guy on his soap box screaming about the vileness of theatres becomes the piece de resistance in Romeo & Juliet with "A pox on both your houses!" Little moments, little fragments of life, sneak their way into your brain and come out in your stories. That, I think, is what is meant by 'write what you know.' Write the authenticity of those little moments.

But the fact of the matter is, even though the Shakespeare in Love anecdote is completely true and I trot it out on a semi-regular basis, there is still a certain degree of bullshit in that answer.

There's a line in the opening of Stephen King's On Writing where he's talking about the joys of being in the company of writers. One of the things he mentions as being the best part is that you know none of them are going to ask you where your ideas come from, because they all already know the answer. We don't know. That's the no-bullshit version.

You want the whole truth and nothing but the truth? I don't have a clue why I'm wired the way I am. If you don't understand where my ideas come from, I am equally puzzled by you and the fact that you don't have a dozen or more book ideas floating around in your head.

I realized, this most recent time, as I was shilling my usual Shakespeare in Love B.S. that the truth was I didn't get ideas. I had them. They had always belonged to me. There is a seemingly endless store of ideas in my subconscious, waiting to get out. I never feel like books come from someplace outside me. It isn't about finding them, it's about unlocking them.

Ideas are the most internal thing imaginable and that, I think, is the inherent fallacy in the question where do you get your ideas? Because there isn't an idea store we go to when we need to stock up. "Getting" ideas isn't about looking under your desk for one that might have slipped down there; it's about finding ways to listen to yourself, that internal voice. (Try calling them the voices in your head and watch the questioner back away slowly.) It always feels like I'm uncovering something that has always been there, always a part of me, even before I knew it existed.

But maybe I'm an anomaly. Where do your ideas come from? Do you get them or have you always had them? Do you have a certain method of unlocking them?

Where is the Joy?

I turned 30 on August 10th. Yes, apparently it's milestone birthday season here at DSW!

My gift to myself was an epiphany: I miss my childhood attitude towards writing.

I've been writing ever since I can remember. Before I knew how to actually write, my mother would type while I dictated. It was one of my favorite playtime activities. Fast forward to 5th grade, when I started my first novel. In 8th grade, I finished my first novel. It was a wretched Sweet Valley Twins rip-off, less of a story and more of an extended musing on (a) how much I wanted a boyfriend and (b) how little I liked sharing a bathroom with my brother. But you know what? I loved writing that thing. My parents had to force me to get off the computer and go play outside. My best friend, bless her, was always happy to hear the latest chapter.

As I've grown older--and more serious about publication--things have changed. Thankfully, I'm a better writer than I was at age 13. And thankfully, I'm no longer lavishing pages of description on my heroine's "rad" stirrup pants.

But maturing as a writer has a down side, too. My inner critic has grown stronger, and she loves to rain on my creativity parade. I've also discovered a need to procrastinate on my novel. As a bonus, I've invented clever ways to criticize myself while doing so. (Excel word count spreadsheets = an excellent time-waster. Now I've outsourced my guilt to Microsoft!)

Is there any escape from the down side? I don't want to give up my hard-won improvement as a writer. At the same time, however, I don't want to lose my sense of fun. It is, after all, why I got into this whole writing gig. So I'm asking your advice: how do you balance professionalism with pure love of writing? And how do you ignore your inner critic until it's time to revise?

Celebrate Good Times - Come On

Can I make the title song stick in your head? If I add singing dogs?

Many celebrations this week in the Pacific Northwest. It's SeaFair in Seattle. We've had several days of Blue Angels fly-bys. While SeaFair happens every year, this doesn't: I turned 4-0! My mother thinks it's crazy, and so do I, but regular readers know that I am too old to have read the Babysitter book series and old enough to be a mega-Springsteen fan, so 40 is about right. As per the marital settlement, Mr. Richland made a lovely cake. His other masterpieces are here and here.

I spent much of my birthday with a Guide to Literary Agents list, crossing off the already querieds, questionable reputations and/or dead ends. A bit of desperation mixed with my productivity. The night before, Mr. Richland and I saw "Salt" and I had an extended self-doubt moment. The Soldier will never be that taut and thrilling, I can't write action, I can't write romance, why would anyone want my stuff when things like this are out there, boo hoo. Usually good plots inspire me to say "I want to do that too," but something about the combination of a birthday, edits, and queries led to a "what am I thinking" moment. I emoted to Mr. Richland while drinking champagne cocktails (can't feel too sorry for myself, reading that). He listened, and left me to work undisturbed the next day, and voila, mojo back.

It's Monday and I'm thinking Rosie the Riveter. We Can Do It! By Friday night, I'm going to send 5 more queries, finish synopsis revisions, and enter the Golden Pen contest. That's a birthday present I can give myself. Post your week goal, writing or otherwise, in the comments. I'll report Friday on mine.

The Power of RWA

I was in a writing slump recently. Bogged down by real life, the writing I'd always loved had begun to feel like work. *shudder* But now, virtually overnight, I'm back in the zone again, charged up and psyched about being an author of romancey goodness.

How'd that happen? Well, it just so happens the Romance Writers of America national conference was last week. Was I there? Nope. But reading the online "live from" updates and post-conference accounts from people who were was almost as good. Their excitement spilled over into me and I remembered that conference energy, the feeling of simpatico with other authors and romance lovers. I cheered when I read the twitter feed with the RITA & Golden Heart results and I've been getting a contact high reading my emails from recently returned conference attendees.

That's the magic of conference, the power of a community of writers - they can energize you up from a thousand miles away. I'm already making plans for RWA 2011 in New York and I'm more excited than ever about my new WIP.

What about you? What gets you going again when your enthusiasm for writing starts to slip? Are you fired up by the company of writers? Already booking your tickets to NYC in 2011?